Fourteen projects, about twenty entrepreneurs, four regions: MansA Lab presents its second cohort. Focusing on the theme “innovation and African worlds,” this 2026–2027 cohort explores nine creative sectors, from the Île-de-France region to the overseas territories.
This second cohort, mentored by Ann-Marème Atayi, Senior International Institutions Manager at EuroQuity within Bpifrance, brings together about 20 entrepreneurs from the Île-de-France region, Guadeloupe, Martinique, and French Guiana, thanks to the support of AFD France for mobility.
For 9 months, MansA Lab will offer tailored strategic support, access to workspaces and industry expertise, as well as connections to partners (institutional and financial) and integration into a network of committed entrepreneurs.
THE JURY FOR THE 2nd MANSA LAB COHORT
• Ann-Marème Atayi, Senior International Institutions Manager at EuroQuity, Bpifrance
• Kelly Barast, Co-Director of La Station Culturelle (Martinique)
• Moos Coulibaly, Founder of Les Griots (MansA Lab 2025/2026 incubatee)
• Zoubida Debbagh, Programming Coordinator at MansA
• Christelle Folly, Deputy Director of MansA
• Charles Houdart, Campus Project Team Lead, AFD Group
• Margaux Huille, Director of the H Foundation
• Fleurance Layme, Cultural Entrepreneurship Project Manager at MansA
• Edouard Meier, Director of pali pali
• Mona Ouahab-Affholder, Cultural Entrepreneurship Project Assistant at MansA
• Yona Panazol, Program Manager at French Touch Bpifrance
• Alexandre Sanou, Creative Director at Snap Inc. France
AFRODYA
Led by Jahlyssa Sehkmet, Afrodya is a cross-media educational, cultural, and narrative ecosystem that reimagines how the history of Africa and its diaspora is shared with young people. Through children’s books, digital content, interactive workshops, educational characters, art contests, immersive experiences, and storytelling projects, Afrodya develops new ways to learn about, share, and tell the stories of the Afro world in the digital age.
CHAP CHAP
Led by Marine Toualy and Clémence Vanié, Chap Chap is an inclusive beauty platform created to address the needs of people of African descent, a group that remains underrepresented. It combines a smart app, a socially conscious media outlet, and a community that shares its experiences.
Through its content, Chap Chap analyzes products, trends, and industry issues, while highlighting the cultures, expertise, brands, and innovations from Africa and its diasporas.
The app also offers personalized assessments, tailored recommendations, and authentic reviews to help everyone make more informed choices without the hassle.
Chap Chap's goal: to become a leading platform for inclusive beauty and to foster stronger connections between consumers, professionals, and brands.
DIASPORISTA
Understand. Share. Pass on. Bring people together.
Led by Clarisse Darnaude and Zoé Ben Yedder since 2024, Diasporista gives voice to the stories, memories, and imaginations of France’s overseas territories and their diasporas. These stories are still too often absent from the media, cultural institutions, and spaces where knowledge is produced.
Diasporista draws on research, writing, audiovisual production, and cultural outreach to bring these stories to life in a variety of formats: documentary series, podcasts, articles, lectures, and workshops. Through the series*Figures d’Outre-Mères* and the development of the podcast *Le Salon de Clamart 2.0*, Diasporista brings together researchers, artists, and the public to break down barriers to knowledge and foster exchanges between France’s overseas territories and their diasporas.
EWAZAM
Afro-Heritage cuisines are rooted in centuries of tradition and have no cookbooks. They are learned from one’s mother, never from a book, and what is not written down is lost. Every generation that grows up far from its homeland loses a technique, a cooking method, or the very essence of a dish. Led by Tunde Denkey, Ewazam is the editorial and audiovisual project that is writing this cookbook before it’s too late. Ewazam documents, catalogs, and passes on this heritage with a level of rigor rarely seen in this field: each recipe is written so it can be recreated here, using locally available ingredients, by someone who has never seen it made before. Memory on one hand, reproducibility on the other. It is this dual rigor—that of storytelling and that of technique—that exists nowhere else.
KAZLAB Caribbean
Founded in 2025 by Lydie Lampin, KAZLAB Caraïbeis a hybrid creative hub. In response to the structural challenges facing the creative industries in Martinique—including a lack of innovative spaces, access to modern tools, and the transmission of artisanal skills—the platform supports talent in fashion, design, and arts and crafts through three pillars: innovative educational programs, shared state-of-the-art equipment, and personalized support. The goal: to transform creative ideas into viable projects—both locally and internationally—to build a sustainable, autonomous, and responsible economic sector in Martinique and throughout the Caribbean.
KIDS.THINK.ART
Led by Yawa Degboe, Kids.Think.Art is an arts education platform that offers children engaging artistic experiences by showcasing works created by and with people from diverse backgrounds.
THE PLANET TAKOO
*La Planète Takoo*is the first Caribbean shōnen nekketsu manga, created by author, artist, and director Therry Dupré, also known as TEEYANDEE. Born in 2014 out of a short film project, *La Planète Takoo* became a novel and then a manga in 2018, with each volume featuring artistic collaborations first with Ouv and then with Veguito.
Since 2023, the universe has expanded with *L’Éveil du Guerrier*, a 2D fighting game developed with Julien Marbon (Le Petit Crayon), designed as a new gateway into this universe. The goal is to turn it into a sustainable Caribbean intellectual property that can be adapted for publishing, video games, and animation, bringing to life new heroes and worlds inspired by the Caribbean, Africa, and their diasporas.
HADISI HOUSE
Maison Hadisi is a self-managed, Afro-feminist cultural “third place” with open access, which uses knowledge as a means of exchange to make culture and education accessible to everyone. The space is rooted in the experiences of women of African descent and places Afro-diasporic perspectives at its core, while reaching out to the broader community. Its innovative approach is a model of reciprocity where access to the spaces is granted in exchange for a commitment to share knowledge, facilitated by the Zawadi platform and supported by the Mahadisi media outlet. It is a project designed to spread from city to city.
BLACK PARIS
Created and led by Kévi Donat, the Paris Noir walking tours shed light on the stories of men and women who are all too often treated as secondary characters.
A certified lecturer and graduate of Sciences Po, his work bridges the gap between the academic world and the general public. His lectures are grounded in a solid and diverse body of research while offering an engaging and accessible approach for everyone.
Artists, politicians, and intellectuals from the “Black World” crossed paths, clashed, and bonded between the Sorbonne and the Luxembourg Gardens, around Montmartre, and along the banks of the Seine.
BROWN
MARRON is a global creative agency led by Sendo R. Elota, specializing in consulting and strategy, creative design, audiovisual production, and data. With offices in Paris, Brazzaville, Abidjan, and Rio de Janeiro, the agency draws inspiration from African cultures and their diasporas, incorporating the concept of “marronnage” into its very methodology.
Its REROOM division aims to open a curated Parisian consignment shop featuring designer pieces, centered around three concepts: Refashion, Reconnect, and Repair. REROOM aspires to become a cultural hub and a meeting place for the diaspora, where clothing serves as a gateway to art, craftsmanship, and the people who create them. The vision is a place.
POM POM SHORTS
POM POM Short is a platform for vertical micro-dramas dedicated to stories from the Caribbean and those of African descent.
All of her stories stem from the same question, one that is as simple as it is universal: At what point does one become legitimate? Legitimate to speak out, to succeed, to occupy a place that wasn’t meant for them.
This issue resonates in Guadeloupe just as it does in Kingston, Abidjan, or Bobigny.
A question for everyone who has been asked to prove themselves twice.
The project is led by ZAYANFIM, a production company that has been based in Guadeloupe for ten years.
EMERJENS SCENE
La Scène EMERJENS is a regional initiative for identifying, supporting, and promoting emerging Afro-Caribbean music for international audiences, led by Maïté Berchel-Bordin of LAKAZAWTIS in Guadeloupe. La Scène EMERJENS is not just a showcase venue: it is a tool for artistic and professional exchange, designed to build lasting bridges between Guadeloupe’s emerging music scenes and external distribution networks. The project focuses on contemporary Afro-Caribbean music—including 4 gwoka, zouk, reggae, dancehall, bouyon, shatta, hip-hop, electronic music, fusion, and hybrid forms associated with African-descendant diasporas.
TÉBÉLÉ Media
TÉBÉLÉ is the cultural platform that connects Black communities through food. Foundedin 2020 as Le MiamShow by Joan Yombo, it is entering a new era in 2026 with a clear goal: to become the leading French-language media source on gastronomy, hospitality, travel, and the lifestyle of people of African descent.
His belief: Food is not just another topic. It is a lens through which to explore the complexity and richness of identities and cultures of people of African descent.
Three divisions drive this ambition.
Le Média, which shapes the narrative and establishes cultural authority.
Le Studio, which uncovers what makes brands, places, and institutions desirable and culturally relevant.
La Production, which produces long-form content, documentaries, and programs for television and digital platforms.
TOFFEE CLUB
Led by Eva Ndombasi, Toffee Club is the first French-language platform dedicated to building a collective memory of mixed-heritage identities, created and championed by those very individuals.
The platform is grounded in the concept of cultural mixing as shaped by French colonial history: African and North African diasporas, Caribbean and island diasporas, South American and Afro-Latin diasporas, and Asian diasporas. These are distinct experiences, yet they are linked by common threads. Its mission is restorative: to bring visibility to, connect, document, and normalize mixed-heritage experiences by restoring their intimate depth, their collective dimension, and their historical roots.
Find out more: